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By Harry Henderson, Romare Bearden

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Additional resources for A History of African-American Artists: From 1792 to the Present

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In somehow the French- to speculate that — whom less it necessary to advertise did only twice in — which Johnston more than twenty-five years. eventually abandoned portraiture for a government clerk- The Weekley study specthat Johnston was employed by Polk until about ship in ulates Washington that time, in 1796. "^'* Because Johnston also had a growing it is difficult to see Americans how when he Peale family, one of the greatest frustrations is He was that he not mentioned in any of the Peales' extensive writ- ings, although the Peales opened of Johnston's listed addresses competing with him a museum near one the more timore.

Their leaders Robert J. I. Harlan, Peter H. Clark, and others widely respected. "^ And from Kentucky In Cincinnati Gaines, who crossed the — were Ohio River hunters came to Cin- ple buy ammunition, guns, and camping gear. Plantation owners came for tools, farm equipment, and furniture. Some Yankees came to establish businesses, and others came to help slaves escape to Canada and to combat slavery. The Yankee influence was particample, the lawyer Salmon with city's abolitionist a surprising Chase, born in P.

Another panel depicts an ancient ruin in the middle distance, with houses typical of early Fruit particularly his fruit and "fancy" pieces, had an engaging quality that well-known ment. ) 23 Nicholas Longworth's selection of Duncanson in 1858 to paint murals in the aided the a artist. These panels of the Long worth murals depict such scenes hall of Belmont, as a typical his Cincinnati English thatched cottage stream, with houses characteristic of early Cincinnati in the distance, showing Duncanson's themes and American landscapes.

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